St. Jude's Academy Dramatic Achievements and Experiences

Parents, please be sure to read the side bar as it will contain important information about costumes, props, and theatre etiquiette.

There are also age appropriate poems that you could ask your child to learn to say aloud. This helps with reading fluency, memory enhancement, elocution, and comprehension.

TO DATE:

October 6th, - Twelfth Night performance in Stratford, Ontario (long, but worth it - the entire production was musical, upbeat, brilliantly performed, and had twists from all eras and epochs)

November 10th, - Remembrance Day skit: In Flander's Fields performed and directed by the Grade 6, 7, and 8 class.

UPCOMING PERFORMANCES:

December 15th, - The Christmas Concert: Songs that moved the world

End of January, 2012 - Twelfth Night

February 2012 - SJA Gala Dinner and "show"

March/April 2012 - Speeches and Poetry Recitation

June 2012 - Arts Night

Thursday, March 24, 2011

Wednesday, March 23, 2011

Welcome Back After March Break! Lights! Cameras! Action!

JK's
The JK's will have a very special role in the upcoming school production of the Pied Piper. This will involve following a leader. In an effort to prepare, we are trying very hard to do this in class. Some children have learned this concept well. Others are not yet able to follow any instructions nor their peers. We have worked on circle formations, and following along in a line is a critical component to make the circle, and to this play. We will practise this very often.

The children also discussed and demonstrated various types of movement: hopping, skipping, leaping, jumping, and dance. We will be analyzing this further as this is also essential to our play.

The children then listened to the story of the Pied Piper of Hamelin. A good observation was made that although this story appears to be happy, it is really very sad and teaches a lesson.

More on that next week, as this concept will be repeated for full comprehension.

SK's
The SK class is almost ready to expand creating their direct formations. Our circle and entrance/exit are coming along very well. These will be critical components for the next upcoming school play.

We then concentrated our efforts on the magic of movement. We applied our knowledge of animal movement to emotional movement and different types of movement - heavy, light, confident, confused, sad, happy, etc. The class is coming along very well as they are realizing that with movement they can show much by facial expression, use of hands, body language, etc. while keeping silent.

Everyone then listened super quietly (this was AMAZING) to the story of the Pied Piper of Hamelin. We have use the child fairy tale version, but for the upcoming performance we will need to familiarize ourselves with the Robert Browning poetic tale.

And.............in our presentation of the Pied Piper................DRUM ROLL PLEASE!........................Ms. M's class will take on the role of: THE RATS!

PARENTS: Please start thinking about ALL gray or ALL brown clothing for your children. We will need tails, ears, buck teeth, and whiskers. We have two months until curtain call.

Grades 1 and 2
This group has received its script for the upcoming production of the Pied Piper of Hamelin by Robert Browning - albeit stapled upsidedown, sorry!

We read through the children's story version and discussed it. We also read through some excerpts in the script and discussed those as well.

In the meantime we had some fun movement games which have taken animal movement to the next level. They practised types of movement: using weight, tension, and focus. We then expanded this by incorporating pantomime. The children had to move with purpose, focus, tension, and emotion. They used this to meet with a particular individual making it clear to the audience, with actions alone, as to what was happening.

These will be critical components in the upcoming production.

Auditons will be held for the following 5-6 speaking roles requiring difficult poetic memorization:
    1. The Pied Piper (either girl or boy)
    2. The Mayor (preferably a boy, but we might be flexible)
    3. A fat rat
    4. The lame boy
    5. The lady and/or gentleman from the town
PARENTS: Please read to your child the full length version of the Pied Piper of Hamelin at least once.

Grade 3 and 4
Today in class we discussed the assignment that was due before the start of March Break....those who have already handed it in, may re-do it for a better mark. They have already recieved a 5 mark bonus. There will also be a two mark bonus if you include your name, a title, and make it neat. Those who did not hand it in yesterday are now required to write 3 paragraphs. Everyone was told I would add on a paragraph for every week it's late.

The children then listened to the story of the Pied Piper of Hamelin. The poetic version of Robert Browning was introduced, and we read through three stanzas: the Fat Rat's account, the Lame Boy's account, and the lesson learned in conclusion.

The role of the grade 3's in the play will be that of the Townspeople.
There are five-six speaking roles:
  1. The Pied Piper (either girl or boy)
  2. The Mayor (preferably a boy, but we might be flexible)
  3. A fat rat
  4. The lame boy
  5. The lady and/or gentleman from the town
Grade 3 Homework - read through the Pied Piper of Hamelin at least twice. Underline the words you do not understand. Re-do or DO your assignment about theatre behaviour.

Grade 3 Audition preparation: If you would like a speaking part, you must learn the FAT RAT's explanation as to why the rats followed the Pied Piper: starts in the middle of line 5 on page 5.  Either know how to read it well or memorize it.

Grade 4 Homework - Audition notices for Julius Caesar will be posted soon. Re-do or DO your assignment regarding theatre behaviour.

Failure to hand in the required assignments next week will result in a 10% deduction for every day late! No excuses.

Grade 5, 6, and 7
These kids did their homework! Hooray! We all discussed and defined the word "rhetoric" and will hopefully be able to practise the concept.

We then listened to and discussed some of the more difficult concepts in Robert Browning's poetic tale of the Pied Piper of Hamelin.

some of the children have volunteered to assist in the play of the Pied Piper. There will be no memorization required as they will soon have their hands and heads full with another production.

The roles in the Pied Piper have been explained and are very easy yet critical to assisting the little ones. This may involve staying after school.

The children will soon begin preparations and rehearsals for the school production of Julius Caesar. Audition notices will be posted.

HOMEWORK: find out what Tartary means. Hint: it's a place. Study the vocabulary we discussed in the poem. Understand the meaning of the stanzas. Prepare yourself for any upcoming production and oral test by reading the poem outloud in front of an audience or mirror.

Okay, it's not exactly a RAT - best I could download!
Cheers,
Mrs. Deras

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